| Author | Title | Call Number | Format |
| André, Naomi Adele |
Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera |
ML1733.4 A53 V65 | Book |
| Bernstein, Jane A. | Women’s Voices Across Musical Worlds | ML82 B47 W65 | Book |
| Briscoe, James | New Historical Anthology of Music by Women | M2 H57 2004 |
Book |
| Dines, Gail & Humez, Jean | Gender, Race and Class in Media: A Text-Reader | P96.S452 U64 1995 | Book |
| Edwards, Leigh H. | Dolly Parton, Gender, and Country Music | ML420 P28 L45 2018 | Book |
| Feldman, Martha | The Castrato: Reflections on Natures and Kinds | ML1460 F45 C3 2016 | Book |
| Frith, Simon | On Record: Rock, Pop, and the Written Word | ML3470 O5 F75 | Book |
| Holsinger, Bruce W. | Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer | ML3845 H65 M87 2001 | Book |
| Jarman-Ivens, Freya | Oh Boy! Masculinities and Popular Music | ML3838 O325 2007 | Book |
| Knapp, Raymond | The Oxford Handbook of the American Musical | ML1711 O935 | Book |
| McClary, Susan | Feminine Endings: Music, Gender, and Sexuality | ML82 M36 F46 | Book |
| Rose, Tricia | Black Noise: Rap Music and Black Culture in Contemporary America | ML3531 R67 B | Book |
| Solie, Ruth A. | Musicology and Difference: Gender and Sexuality in Music Scholarship |
ML3838 M875 |
Book |
| Walser, Robert | Running with the Devil: Power, Gender, and Madness in Heavy Metal Music | ML3534 W29 R | Book |
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